Tuesday, 12 February 2013

Tuesday, 15 January 2013

A Road Divided, Todd Hido



Something for the time of year ... an evocative road trip around San Francisco by Todd Hido just published in foam magazine





Friday, 12 October 2012

millennium catalogue







The latest Millennium Images Catalogue has recently been released and it is good to have work in such a very lovely object. 






The catalogue showcases work by 325 individuals - established names, such as Chris Harrison, Nadege Meriau, Simon Norfolk, Michael Ormerod, and Edgar Martins, appear alongside many rising young stars. 







I love the paired down approach and ‘naked bound’ spine that exposes intricate orange stitching. The catalogue was designed by Studio Thomson






You can view more of the work here   Millennium Images Volume V, download a PDF version here, or if you are an image user and want to handle the thing yourself you can order a copy by emailing  
mail@milim.com.



Wednesday, 19 September 2012

world youth guitar festival 2012










The wonderful folks at the World Youth Guitar Festival, WYGF, have launched the dates and venue for Summer 2013. 

The new website features my portrait photography of participants from the 2011 Cheltenham Festival. 

It is a truly fabulous event for aspiring guitarists 8 - 18 of any ability and includes coaching, ensembles, workshops, classes and much much more.

Monday, 20 August 2012

ade adepitan interview in the observer





My portraits of Ade Adepitan featured this Sunday's The New Review in The Observer. For the full interview see here

Tuesday, 3 July 2012

a burnish'd throne



A newly devised performance of Shakespeare's Antony & Cleopatra (Act 2 Sc.2) adapted and directed by Ed Viney, was performed outside the newly completed Jubilee Gardens WC Pavilion by Mark Power Architects, on Sunday 1st July 2012.











The barge she sat in, like a burnish'd throne,
Burnt on the water. The poop was beaten gold,
Purple the sails, and so perfumèd that
The winds were love-sick with them; the oars were silver,
Which to the tune of flutes kept stroke, and made
The water which they beat to follow faster,
As amorous of their strokes. For her own person,
It beggar'd all description: she did lie
In her pavilion—cloth of gold, of tissue—
O'er-picturing that Venus where we see
The fancy outwork nature.




Friday, 8 June 2012

last chance to see ...

the very wonderful dayfour modern love exhibition curated by Fiona Hayes at the printspace on the kingsland road, shoreditch